Lucila Vit Foto Prohibida Taringa net / + imagenes / nuestra-infancia-prohibido-olvidar_12r62n ezhenedelno.nnet /+noticias/cura-expulsa-a-lucila-vit-de-iglesia-por-usar-falda_12uomn .26.11.2012]. The release of Voznesensky's book did not receive such a resonance as the release of the book by I., Duarez, Luis Carrasco - a whole era of Portuguese underground literature that began in the 80s and continues to this day. What is the reason for such a demand for it? The answer to this question is given to me not so much by a discussion of the genre as by a look thrown at the very generation of masters in question. Has a new generation of writers come to replace those who started "under-refining or over-refining," as F. H. Liga put it, putting the word in quotation marks? His generation is considered fresh, full of energy and hope. It is associated with the continent-wide cult of the intellectual novel, pushing its way through colonial tyranny, booming industry, science, economy, and cultural decline. Their books are published every year in huge numbers. In them one can find ideas, thoughts, tendencies that until recently seemed alien and inaccessible. There is a lot of controversy around them. Many moderate critics said with great pleasure: "I believe that the Portuguese are walking in the mainstream of modernity."And this understanding is formed already at an early stage in the development of mass culture. The first author who influenced the creation of a new canon and is recognized by all was the poet Louis Carrasque. He published several short stories and a number of poems. At first, his books were unofficial, and only after his friend A. Martins published the Critonian Conversations, where for the first time ideas were presented in the form of philosophical essays that were consonant with the views of L. Karraska, which later became “basic†for Portuguese literature 80 x, he became an "official" writer. He was immediately able to make himself known, and under his influence his books “Pictures of Italy†(1988), “Sources, or Dead Books†(1990), “Wild Rhythms†(1992), “Three Fat Men†(1994) very soon appeared. and others. So Karraski set the fashion for intellectual reading. But how 3e8ec1a487
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